(Yejee Kim/Daily Bruin senior staff)
This post was updated July 15 at 1:01 p.m.
The small screen is set to stay sizzling all summer.
Clear skies and sunshine promise a slate of returning and premiering shows, some newly released and some upcoming, ranging from frontier journeys to female-centered crime thrillers.
The ever-elusive Pluto remains inscrutable for a different reason: there’s not much left to uncover.
“The Real Me” is Future’s tenth studio album, released on Friday, and arrives just two years after his legendary three-album run, which featured two collaborative albums with producer Metro Boomin and the solo mixtape “MIXTAPE PLUTO.” That 2024 stretch marked one of the most prolific periods in his career, earning him four Grammy nominations and chart-topping songs such as “Like That,” which peaked at No.
This post was updated July 12 at 10:37 p.m.
The FIFA World Cup has always been as much a spectacle of sound as of sport.
That spectacle echoed through Los Angeles when nearly 50,000 fans flooded into Union Station for the Los Angeles World Cup 26 Fan Zone from June 25-28.
This post was updated July 12 at 10:56 p.m.
UCLA student Dea is a new artist in the shoegaze scene, telling stories through cinematic soundscapes, obscured vocals and intentional lyricism.
Donna Wu molds her passions into a budding art business.
Wu launched her brand Critter Trinkets in October 2025 and sells clay art pieces, ranging from pins and magnets to hair clips, keychains and more.
This post was updated July 5 at 9:33 p.m.
Warning: Spoilers ahead
Nights at the movie theater are back in style.
Generation Z directors Kane Parsons and Curry Barker seem to have cracked the code to refilling red velvet recliners with their blockbuster horror films, “Backrooms” and “Obsession.” Both indie titles have effectively dwarfed their microbudgets at the box office, with each grossing over $300 million since their respective releases in May.
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