Luc Bokor-Smith stands with a guitar on stage, backed by red and blue lights. As the frontman of Parlour Magic, an NYC-based synth-pop band, the artist spoke about collaboration in the making of his third album, “The Embassy.” (Courtesy of Bobby Nicholas)
Although “The Embassy” was inspired by solitude, Parlour Magic’s third album shows how collaboration creates art.
Parlour Magic is an NYC-based synth-pop band led by producer and composer Luc Bokor-Smith.
This post was updated July 26 at 5:18 p.m.
At the end of a grave-lined dusky walk, Suki Waterhouse welcomed fans into her Loveland with an enchanting performance.
This post was updated July 19 at 8:17 p.m.
The ever-elusive Pluto remains inscrutable for a different reason: there’s not much left to uncover.
“The Real Me” is Future’s 10th studio album, released Friday, and arrives just two years after his legendary three-album run, which featured two collaborative albums with producer Metro Boomin and the solo mixtape “MIXTAPE PLUTO.” That 2024 stretch marked one of the most prolific periods in his career, earning him four Grammy nominations and chart-topping songs such as “Like That,” which peaked at No.
This post was updated July 12 at 10:42 p.m.
With its Los Angeles expansion, BelicoFest is regional no more.
The music festival will make its California debut at BMO Stadium on Sunday with headliner Tito Double P after two years in Phoenix.
This post was updated July 12 at 10:37 p.m.
The FIFA World Cup has always been as much a spectacle of sound as of sport.
That spectacle echoed through Los Angeles when nearly 50,000 fans flooded into Union Station for the Los Angeles World Cup 26 Fan Zone from June 25-28.
This post was updated July 12 at 10:56 p.m.
UCLA student Dea is a new artist in the shoegaze scene, telling stories through cinematic soundscapes, obscured vocals and intentional lyricism.
From Westwood to Tokyo, Sylas Umoren’s sets can amp up any crowd.
Performing as a DJ since 2024, the fourth-year global studies and Japanese language and culture student brings his eclectic, jazz-inspired EDM mixes to Westwood’s rager scene.
Rebecca Robles wants to give students a “Backstage Pass” to the live music industry.
As assistant conductor for her high school choir and a former member of a punk band, Robles, a fourth-year music industry student, said she always knew she wanted to pursue music but had a hard time finding her path without the guidance of a college degree.
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