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Arts

July 18, 2026 5:19 p.m.
Film review: Christopher Nolan’s new film is an ‘Odyssey’ worth the adventure

A man. A thought. A war. In a time of apparent magic, “The Odyssey” proves the ancient tale is still worth retelling.
Christopher Nolan’s 2026 action-adventure blockbuster adapts the millennia-old Homeric poem like never before.

By Parsa Arshi

Arts

July 11, 2026 8:18 p.m.

Album review: Future falls short in truly unmasking himself in ‘The Real Me’

This post was updated July 19 at 8:17 p.m.
The ever-elusive Pluto remains inscrutable for a different reason: there’s not much left to uncover.
“The Real Me” is Future’s 10th studio album, released Friday, and arrives just two years after his legendary three-album run, which featured two collaborative albums with producer Metro Boomin and the solo mixtape “MIXTAPE PLUTO.” That 2024 stretch marked one of the most prolific periods in his career, earning him four Grammy nominations and chart-topping songs such as “Like That,” which peaked at No.

By Parsa Arshi

Arts

June 28, 2026 1:56 p.m.

Second Take: ‘Obsession,’ ‘Backrooms’ prove fresh stories spark conversations, fill theaters

This post was updated July 5 at 9:33 p.m.
Warning: Spoilers ahead
Nights at the movie theater are back in style.
Generation Z directors Kane Parsons and Curry Barker seem to have cracked the code to refilling red velvet recliners with their blockbuster horror films, “Backrooms” and “Obsession.” Both indie titles have effectively dwarfed their microbudgets at the box office, with each grossing over $300 million since their respective releases in May.

By Emily Berkowitz

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