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Film & TV

Arts

March 14, 2025 6:52 p.m.
Second Take: Regardless of gender, Oscars should respect nominated acts’ sexual autonomy

(Ingrid Leng/Daily Bruin staff)

Editor’s note: This article includes a mention of rape that may be disturbing to some readers.
There is nothing wrong with an actor baring it all to win an Oscar – but that doesn’t mean it should always happen.

By Reid Sperisen

Arts

March 3, 2025 8:54 p.m.
Oscars 2025 Q&A: Oscar winner Lol Crawley discusses cinematographic construction of ‘The Brutalist’

This post was updated March 4 at 8:43 p.m. 
Brick by brick, “The Brutalist” cemented its place in cinematic history.
The post-war epic starring two-time Oscar winner Adrien Brody as architectural visionary László Tóth claimed three Academy Awards at Sunday’s 97th annual Oscars ceremony.

By Natalie Ralston

Arts

March 2, 2025 3:56 p.m.

Oscars 2025 Q&A: ‘Nosferatu’ costume designer Linda Muir cuts her fangs with first nomination

From capes to coffins, costume designer Linda Muir is resurrecting Count Orlok’s wardrobe for the silver screen.
Renowned for her collaborations with director Robert Eggers on “The Witch” and “The Lighthouse,” Muir has earned her first Academy Award nomination for Best Costume Design for her work on “Nosferatu.” The black-and-white 1922 horror classic has transformed into a vibrant dark fantasy, adding color to a colorless world with a reimagined wardrobe.

By Natalie Ralston

Arts

Feb. 27, 2025 11:17 p.m.

Oscars 2025 Q&A: Arianne Phillips pieces together Bob Dylan’s costumes in ‘A Complete Unknown’

Look by look, Arianne Phillips is piecing together Bob Dylan’s evolution from “A Complete Unknown” to a cultural icon.
Celebrated for her work on renowned films such as “Once Upon a Time… in Hollywood” and her collaboration with musical legend Madonna, Phillips has earned her fourth Academy Award nomination for Best Costume Design in James Mangold’s “A Complete Unknown.” The musical biopic, which follows the emergence of icon Bob Dylan onto the folk music scene, relies heavily on its visual storytelling, with the costume department playing an integral role in depicting Dylan’s journey of self-discovery.

By Ruwani Jayasekara

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