(Evanceline Tang / Daily Bruin Staff)
While Halloween gives people the opportunity to dress up as monsters, queer horror films throughout history have long asked a more unsettling question: Who gets treated like one?
This post was updated Oct. 29 at 9:18 p.m.
Horror buffs are in for a treat – or a trick! – this Halloween.
From indie films exploring toxic masculinity and queer interpretations of slashers to adaptations of beloved video games, 2026’s stacked horror lineup offers something for every fan.
This post was updated Oct. 25 at 8:56 p.m.
Warning: Spoilers ahead.
For all its whimsical ambition, “Klara and the Sun” gets lost in its own theatricality, stumbling where emotional depth should shine.
This post was updated Oct. 21 at 5:29 p.m.
It is a truth universally acknowledged, that a viewer in want of an excellent film, must be in want of a Jane Austen adaptation.
This post was updated Oct. 20 at 8:21 p.m.
A goodbye only lasts a moment, but its weight can linger for a lifetime.
J. Robert Schulz’s debut feature film “Chrysalis” follows lingering threads of love, loss and memory.
This post was updated Oct. 20 at 9:12 p.m.
Warning: Spoilers ahead.
“Sense and Sensibility” proves that, centuries later, the complications of romance remain timeless.
Facing the pressure to live up to Ang Lee’s 1995 adaptation, director Georgia Oakley delivers a film that remains authentic to Jane Austen’s 1811 novel while mixing in her own creative flair.
This post was updated Oct. 20 at 8:59 p.m.
Warning: Spoilers ahead.
Despite its exhaustive methods, “You Can See Everything” leaves viewers questioning just how much of what they see is true.
Hollywood may be known as cutthroat, but at UCLA, a student club is rolling out the red carpet for everyone.
The Film and Photography Society at UCLA offers hands-on experience to creatives, making three short films, one photoshoot and two other media projects per quarter, said Mali Szerwo, FPS’s director of external affairs.
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