UCLA’s Center for the Art of Performance is bringing Shakespeare back to the virtual campus.
From Sept. 17 to Nov. 15, CAP UCLA had been promoting Forced Entertainment’s online theater series, “Complete Works: Table Top Shakespeare: At Home,” where the members performed abridged versions of four of Shakespeare’s 36 plays each week using household items as their cast.

The Theatre of the Electric Mouth is taking a byte out of the possibilities of artificial intelligence.
Formed during the COVID-19 pandemic, the virtual theater collective explores the connection between technology and theatrical performance.

Choreographer Ronald K. Brown is providing lessons on salvation through dance in his piece, “Grace.”
The three-day event showcasing “Grace” began yesterday, shown virtually over the Center for the Art of Performance at UCLA’s online channel.

Art students are sharing more than just their screens in a new virtual gallery.
This year, UCLA’s design media arts graduate program took its fall exhibition online with the theme “Share Screen.” From Oct.

This post was updated Nov. 15 at 6:04 p.m.
The next move for Christopher Aguirre’s career as a choreographer is just the beginning.
The second-year dance and communication student was invited to choreograph for The Nexxt Move, a two-day dance intensive in several cities across the United States and in London.

This post was updated Nov. 1 at 6:17 p.m.
Bright colors and bold strokes may draw the eye, but it’s the social and political activism behind Brenda Barrios’ work that encourages patrons to stay.

This post was updated Oct. 25 at 6:39 p.m.
In traditional classes, dance and disability can be mutually exclusive – but one club at UCLA is seeking to eliminate this barrier.