This post was updated Oct. 10 at 9:51 p.m.
Eliana Bohn’s quarantine hobby sparked joy.
Rather than picking up crocheting or bread making, the second-year molecular, cell, and developmental biology student said she turned to the art of fire performance.

“The Choreographers’ Scores: 2020” turns dance into art that leaps off the page.
The Center for the Art of Performance at UCLA commissioned and published a collection of fine art pieces from 26 choreographers, each tasked with creating a dance score – to be turned into a fine art print by The Lapis Press – while in quarantine for the COVID-19 pandemic.

From selecting music and choreography to perfecting costumes and makeup, the ins and outs of putting on a dance performance are complex and detailed. Put on your dancing shoes and follow along as columnist Laura Carter takes a behind-the-scenes look at dance, disassembled.

This post was updated Sept. 29 at 9:30 p.m.
Warning: spoilers ahead.
Mind-blowing illusions and puzzles supplement a story of romance and discovery in “The Enigmatist.”
Showing at the Geffen Playhouse until Nov.

This post was updated Sept. 26 at 9:35 p.m.
Espionage hijinks meet American history in “Our Man in Santiago.”
After its initial debut was shut down because of the COVID-19 pandemic, the comedic play returns to Theatre West for a five-week run from Sept.

LaRissa Rogers is resculpting her history with soil.
In her show “On Belonging: The Space In Between,” the fine arts graduate student uses soil and other tactile elements to explore her relationship to land and belonging.

Curatorial collective Durden and Ray is embracing viewers back in person.
Alumnus Rebecca Niederlander is among the three artists invited to install site-specific work by Durden and Ray, a 24-member collective which collaborates with galleries internationally.