Held from Jan. 20 to Jan. 30, Sundance Film Festival is the largest independent film festival in the United States and celebrates artistry, with feature films, short films, indie episodic works and new frontier projects selected to screen.
This post was updated Jan. 30 at 10:29 p.m.
Credit card fraud is a cruel mistress – and Emily is her latest victim.
In director and screenwriter John Patton Ford’s feature, “Emily the Criminal,” fierce millennial Emily (Aubrey Plaza) spirals into an elaborate scheme of credit card fraud in search of quick cash.
Warning: spoilers ahead.
Exploring the shades of gray in any situation is Dakota Johnson’s specialty.
Starring in Tig Notaro and Stephanie Allynne’s film “Am I OK?,” the actress plays Lucy, a directionless woman in her mid-30s whose coming out is catalyzed by her best friend Jane’s (Sonoya Mizuno) move to London.
This post was updated Jan. 30 at 10:11 p.m.
Time travel is finally joining Keke Palmer’s repertoire.
Her newest role in “Alice” features Palmer as the titular character who, after escaping enslavement on a 19th-century Southern plantation, suddenly travels forward into the 1970s.
Three films, two decades, one Ye.
The first in a trio of documentaries, “jeen-yuhs: A Kanye Trilogy” screened in the Premieres category of Sundance Film Festival.
This post was updated Jan. 30 at 10:04 p.m.
Amy Poehler’s homage to comedy comes in the form of a documentary.
The actress’s first directed documentary, “Lucy and Desi,” debuted in the Premieres category of the Sundance Film Festival.
This post was updated Jan. 30 at 10:02 p.m.
Beware: “FRESH” has an insatiable appetite for carnage.
Premiering in the Midnight category of the Sundance Film Festival, the thriller ventures into the darker side of modern dating when a jaded Noa (Daisy Edgar-Jones) meets Steve (Sebastian Stan), a breath of fresh air in comparison to the problematic men she has met on dating apps.
Lena Dunham is back in the world of feature filmmaking with a film sharp enough to make a mark.
The director’s first feature film in 11 years, “Sharp Stick” debuted in the Premieres category of the Sundance Film Festival.
In a tug-of-war between leaving and staying, one man stands in the middle.
Director Alika Tengan’s Sundance Film Festival debut in the festival’s NEXT category, “Every Day In Kaimukī,” explores the internal back-and-forth faced by Hawaiian millennial Naz Kawakami (Naz Kawakami) as he prepares to move from his hometown in Kaimukī to the mainland.
Jesus is taking the wheel – and giving it a honk while he’s at it.
Directed and written by alumnus Adamma Ebo, “Honk For Jesus, Save Your Soul” is a contender in Sundance Film Festival’s Premieres category.
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