A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

A movie is only as good as its villain, and a good villain is much more than a monster with maniacal laughter or a sinister-looking entity surrounded by henchmen.

Gabby So first fell in love with theater when she flew above the audience as the ghost of Catherine Earnshaw in a stage adaptation of “Breakfast at Tiffany’s.”
The UCLA alumna said she used to grapple with insecurity and a perceived lack of recognition as a theater actress.

“The Shape of Water” makes audiences fall in love with a relationship between a mythical amphibian creature and a mute janitor.
The plot of Guillermo del Toro’s latest film sounds a bit like an LSD-induced daydream: A mute janitor named Elisa (Sally Hawkins) falls in love with an amphibious creature (Doug Jones) that the U.S.