“The Last Picture Show: Artists Using Photography,
1960-1982″ attempts epic revelations in its placard
commentaries on and interpretations of individual artists’
work. Forced commentaries aside, however, the photographs
themselves demonstrate the form’s capability to capture
humanity at its most inane moments.
Ennio Marchetto, Italian comedian/quick-change
artist/illusionist began his colorful career as a costume designer
for Carnevale, Venice’s famous spring-time masquerade, but
now he parades his designs onstage in an original show where he
spoofs pop-culture icons.
In their production for Theatrefest 2003, “Felicity is a
Cynical Art,” eight UCLA students have confirmed
Polonius’ sage advice to Laertes in Shakespeare’s
“Hamlet:” “To thine own self be true.”
The “soap operetta,” which opens Thursday night in
Kerckhoff Grand Salon, is the first production of Giovanni Ortega
and Ben Lamoso’s recently formed company, Mezclao, which
translates as “mix” from Spanish.
Fear is what keeps people from overcoming walls, but fear that
is not overcome becomes society’s walls.
So said Ray Reisler at the opening ceremony of “Choosing
to Participate: Facing History and Ourselves” on Saturday
night.
In Elizabethan times, Shakespeare’s plays, with their puns
and other linguistic manipulations, appealed to the ear. Today,
Shakespeare’s language challenges the modern ear and often
inhibits understanding of his plays.
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