Running from Oct. 17 to Nov. 3 at the Billy Wilder Theater, the second “China Onscreen Biennial” presents a collection of Chinese films, complemented with visual art slideshows and panels featuring directors and other special guests.
Often categorized under a new wave of modern R&B;, singer-songwriter Jillian Banks’ music certainly perpetuates the classification. But the categorization is merely a scratch on the surface of the atmospheric, brooding sound that BANKS has managed to capture on her album, “Goddess.”
The debut album by BANKS offers a seductive, mystical musical palette with hues of dusky synths and pulsating low-end bass lines.
Through powerful vocals, electric drums and dark lyrics, Sia paints the portrait of a person who has encountered the less tasteful side of life in her latest album, “1000 Forms of Fear.”
The studio album, the sixth by the singer-songwriter, is one that channels a darkness that comes from the downsides of fame, heartbreak and personal loss.
Leaning against the open door of a vintage car on the cover of her latest album, Lana Del Rey evokes a sense of melancholy and lonely sentiments that reflects the songs of “Ultraviolence.”
The third studio album by the songstress, “Ultraviolence” ditches the pop, upbeat energy of her previous albums, “Born to Die” and “Paradise,” for a more moody and mystical taste.
Rocco Pucillo can recall the creative writing lessons he was so fond of during his time in grade school. It was there the seed was planted for the career he would come to pursue so passionately.
For Ben Haist, a future in animation was not always clear. Little did he know the same storyboard he used for his UCLA School of Theater, Film and Television application would bring him substantial recognition at one of the school’s most well-known film festivals.
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