This post was updated on 8/14/2022 at 6:43 p.m.
Jennifer Chang is ready to direct the next generation of theater students.
This fall, the director, writer and actor will join UCLA’s theater department as an associate professor, teaching courses in physical and advanced acting.
This post was updated July 10 at 8:04 p.m.
In Shirley Yip’s latest film, the United States government is playing the third wheel.
Written and directed by the alumnus, “Marriage Interview” is a comedic short film about a couple being interviewed to obtain a green card and permanent residence in the U.S.
Kristina Wong is sewing change into the world.
The alumnus wrote and acted in “Kristina Wong, Sweatshop Overlord,” the solo show for which she is the first Asian American woman to be named a finalist for the 2022 Pulitzer Prize for Drama.
This post was updated May 25 at 10:01 p.m.
Student fashion is making a FAST in-person comeback.
The annual runway show hosted by Fashion and Student Trends at UCLA will take place in Pauley Pavilion on May 27.
Candace Ho is reanimating her story.
Premiered at the Los Angeles Asian Pacific Film Festival under the Armed With a Camera Fellowship, “w(HO)” is a mixed-media animation short film documenting director, writer and co-producer Candace Ho’s experience discovering her womanhood and sexuality.
Bright new films are in full bloom this spring.
To start off the sunny season, upcoming film releases are stirring up more buzz than the bees.
Brianna Barrett is swapping bodies and shaking up expectations in “Still Harvey Still.”
Opening Thursday, the theater graduate student’s full-length play focuses on two former childhood best friends, Harvey Still (Luca Filiz), a musician dealing with addiction, and cancer patient Evan (Ian Cardamone).
This post was updated Nov. 21 at 10:55 p.m.
Hollywood has often relied on convention, with an emphasis on the three-act structure, which is a model often used to break up a narrative into three parts: setup, confrontation and resolution.
Hollywood has often relied on convention, with an emphasis on the three-act structure, which is a model often used to break up a narrative into three parts: setup, confrontation and resolution.
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