Arts
May 26, 2020 4:52 p.m.‘Killing Eve’ season 3 recap – episode 7: ‘Beautiful Monster’
Warning: spoilers ahead.
Despite previous missteps, Sunday night’s episode of “Killing Eve” was the perfect penultimate present.
With just enough action to make up for previous unsatisfying episodes while still preserving the quintessential “Killing Eve” guessing game, “Beautiful Monster” finally capitalized on the power of the show – its three leading women.
By Annika Carlson
Arts
May 12, 2020 3:58 p.m.‘Killing Eve’ season 3 recap – episode 5: ‘Are You From Pinner?’
Warning: spoilers ahead.
“Killing Eve” finally committed a major broadcast blunder – a boring episode.
Sunday night’s show “Are You From Pinner?” devoted the entire hour to Villanelle’s brief stint at home in Russia.
By Annika Carlson
Arts
May 5, 2020 5:08 p.m.‘Killing Eve’ season 3 recap – episode 4: ‘Still Got It’
Warning: spoilers ahead.
Eve can’t have her cake and eat it too.
The issue was asked and answered in Sunday’s episode “Still Got It” with a multi-timeline exploration of “Killing Eve”‘s main cast of characters.
By Annika Carlson
Arts
April 28, 2020 5:49 p.m.‘Killing Eve’ season 3 recap – episode 3: ‘Meetings Have Biscuits’
Warning: spoilers ahead.
Between camp and commotion, Carolyn Martens gave “Killing Eve” new life in this week’s episode.
In “Meetings Have Biscuits,” Martens’ character development marks the shift of the show from the seemingly untouchable actor-driven vehicle into a more sophisticated examination of the human experience.
By Annika Carlson
Arts
March 4, 2020 10:45 p.m.Documentary to showcase life of punk rock singer Marian Anderson
Lilly Scourtis Ayers said she was warned against getting too close to Marian Anderson’s wild side.
When Ayers first encountered Anderson, a friend told Ayers that the punk rock singer was trouble.
By Annika Carlson
Arts
Feb. 19, 2020 10:18 p.m.Event provides new perspectives on US history through independent films
John Sayles said his independent films offer a worthwhile window into the past – even four decades after his first film in 1979.
Sayles began his career as an independent filmmaker with “Return of the Secaucus Seven,” and he said the feature films that followed all touch on some aspect of American life.
By Annika Carlson
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