Mental health is explored extensively in popular media, from unsettling character studies like “Joker” to lighthearted family flicks such as “Inside Out.” But while some portrayals successfully shine a light on mental health conditions, others merely perpetuate stigmas and stereotypes.

Mental health is explored extensively in popular media, from unsettling character studies like “Joker” to lighthearted family flicks such as “Inside Out.” But while some portrayals successfully shine a light on mental health conditions, others merely perpetuate stigmas and stereotypes.

Mental health is explored extensively in popular media, from unsettling character studies like “Joker” to lighthearted family flicks such as “Inside Out.” But while some portrayals successfully shine a light on mental health conditions, others merely perpetuate stigmas and stereotypes.

Mental health is explored extensively in popular media, from unsettling character studies like “Joker” to lighthearted family flicks such as “Inside Out.” But while some portrayals successfully shine a light on mental health conditions, others merely perpetuate stigmas and stereotypes.

Mental health is explored extensively in popular media, from unsettling character studies like “Joker” to lighthearted family flicks such as “Inside Out.” But while some portrayals successfully shine a light on mental health conditions, others merely perpetuate stigmas and stereotypes.

The “Best” in Best Picture is a misnomer.
By definition, the word “best” means of the utmost quality or value. The category therefore implies that the nominees and winners are representative of the year’s highest-quality films – those with the finest writing, acting, directing, cinematography and every technical aspect in between.

The Academy of Motion Pictures Arts and Sciences is reverting back to its predictable ways for the 2020 Oscars.

Although diversity took center stage at the 2019 Oscars, this year’s best picture category is once again crowded with white-male-led historical dramas like James Mangold’s “Ford v Ferrari” and Sam Mendes’ World War I epic “1917.” They are joined by films from Oscars darlings – Quentin Tarantino’s retelling of the Charles Manson murders, “Once Upon a Time… in Hollywood,” and Martin Scorsese’s “The Irishman” both scored 10 nominations each.

Ross Clark’s sun sign is a Leo, which means he’s predisposed to thinking he has the best astrological sign, he said.
But before fully immersing himself in the world of astrology, the CEO and co-founder of the mystical services and astrology app Sanctuary said he started by reading horoscopes from the New York Post on his former boss’ desk while working as an entertainment publicist.

Two Will Smiths may not be better than one.
Despite the best efforts of “Gemini Man,” no amount of Smith clones could compensate for the film’s lifeless characters and bland action tropes riddled throughout a lackluster script.

Director Ang Lee said he set out to create a digital Will Smith in “Gemini Man” that would be as realistic as the tiger in “Life of Pi.”
“Gemini Man,” Paramount Pictures’ newest release, hit theaters Friday following a press conference Oct.