This post was updated Nov. 19 at 11:16 p.m.

As the final chords echoed across the Los Angeles skyline, Camp Flog Gnaw wrapped up its second day symphony with eclectic sounds and surprises.

Tyler, The Creator’s annual music festival transformed Dodger Stadium on Sunday into a playground of musical diversity. From genre-defying performances to nostalgia-inducing carnival rides, the event offered campers an unforgettable mix of creativity and community.

Read on for the Daily Bruin’s coverage of day two of Camp Flog Gnaw 2024.

[Related: Camp Flog Gnaw returns to LA with variety of captivating performances]

RAYE

RAYE delivered a “Thrill”-ing performance as she made her Camp Flog Gnaw debut.

Taking the Camp Stage at 3:25 p.m., the British singer-songwriter captivated the audience with her genre-fluid sound and commanding presence. Dressed in a shimmering gold outfit, RAYE opened with “The Thrill Is Gone.” and instantly drew the crowd into her vivid storytelling matched with her crisp vocals.

Her set explored themes of heartbreak, resilience and empowerment, with the artist seamlessly transitioning between sultry tracks, such as “Five Star Hotels.” and powerful covers, including James Brown’s “It’s A Man’s Man’s Man’s World.” Midway through, she paused to reflect on her creative freedom in becoming an independent singer-songwriter, expressing gratitude to her fans for their unwavering support.

RAYE closed her set with crowd favorite “Escapism.,” reminding the audience why she’s one of pop’s most exciting new voices.

Syd

Returning for her 10th Camp Flog Gnaw appearance, Syd delivered a soulful performance steeped in nostalgia and smooth melodies.

Taking the stage at 4:35 p.m., the former Odd Future member kept things simple with an understated stage design that placed the focus squarely on her music. Dressed in an oversized – yet stylish – two-piece suit, Syd effortlessly carried charisma during the set as she opened with a selection of tracks that showcased her unique blend of neo-soul and R&B.

One notable moment came when Syd performed “Bad Dream/No Looking Back,” a song she humorously shared was a bit too vulgar for her mom’s taste. Despite the playful anecdote, the crowd embraced the raw emotion in the track.

Throughout her set, Syd treated the audience to a mix of solo material and favorites from her band The Internet, such as “Girl,” proving why she remains a cherished figure in the Camp Flog Gnaw community.

Syd’s performance was both nostalgic and fresh, a well-crafted reflection of her decade-long journey at the festival.

[Related: Winner Takes All: Examining Tyler, The Creator’s genre-blending discography for his greatest album]

Erykah Badu

Even with a late start, Erykah Badu’s entrancing performance proved well worth the wait.

Emerging on stage fashionably late, the neo-soul icon began her set with “The Healer,” instantly enveloping the audience in her signature blend of mysticism and genre-defying sound. Dressed in a flowing black ensemble adorned with plenty of gold jewelry and accessories, Badu commanded the stage with an ethereal presence that only she could conjure.

The staging for her set was as experimental as her music, featuring interactive lights that Badu physically manipulated during her performance. The dynamic visuals created a sense of intimacy, as though she was weaving light and sound into a living, breathing tapestry. Each gesture amplified her performance, turning the stage into a transcendent space.

As her set progressed, through songs like “On & On,” Badu alternated between spoken-word interludes and soulful melodies, connecting deeply with the crowd. The combination of her velvety vocals, thought-provoking lyrics and mesmerizing staging solidified her status as one of the festival’s standout acts.

Badu’s performance was not just a concert – it was an experience, leaving the final day of the festival spellbound and craving more.

The Marías

The Marías brought its dreamy, genre-blending sound to the Camp Stage, casting a spell over the audience as the sun dipped below the horizon.

Taking the stage at 7:10 p.m., the indie-pop outfit began its set with “Hamptons,” instantly immersing the crowd in its lush, cinematic soundscapes. Lead singer María Zardoya, adorned in a black-and-white whimsy-goth outfit, enticed with her charming vocals as the band transitioned into an extended version of “No One Noticed.”

The group’s setlist featured a mix of originals and unexpected surprises, including a hauntingly beautiful cover of The Cardigans’ “Lovefool.” The band leaned into darker tones with “Paranoia,” creating an almost hypnotic ambiance. Closing with its fan-favorite track “Cariño,” The Marías left the crowd swaying, captivated by its signature blend of sultry and sophisticated sounds.

Through its myriad of enchanting elements, The Marías reminded Camp Flog Gnaw why the group remains a cornerstone of modern indie-pop.

Mustard & Friends

Mustard turned Dodger Stadium into a hip-hop haven with a star-studded set.

The renowned producer and DJ took the Camp Stage at 8:40 p.m., delivering a high-energy performance packed with iconic hits and surprise guests. Opening with “Up Now” and the infectious “Pure Water,” Mustard quickly set the tone for a dynamic night.

Tyga was among the first surprise appearances, joining Mustard for a lively rendition of “Rack City.” Throughout the set, festival-goers were treated to hip-hop staples such as “Blow the Whistle” and “I’m Different,” as well as crowd-pleasing moments featuring Shoreline Mafia on “Musty” and “Bands.”

The biggest surprises of the night came in the form of YG, Ty Dolla $ign, Roddy Ricch and Big Sean, who each took turns spotlighting their hits, including “BIG BANK,” “Toot It And Boot It” and “The Box.” Mustard even delivered a brief nod to Tyler, The Creator with a remix of “EARFQUAKE,” further energizing the crowd.

With nearly 30 songs and a rotating roster of artists, Mustard ensured that no corner of the stadium was left standing still.

Playboi Carti

Playboi Carti closed the festival with an electrifying set that embodied chaos and catharsis.

Emerging onto the stage at 10:10 p.m. in a white t-shirt layered underneath an abstract vest, the Atlanta rapper delivered a high-octane performance that left fans both energized and entranced. Opening with “H00DBYAIR,” Playboi Carti immediately set the tone for a night of relentless intensity.

The crowd erupted during tracks such as “2024” and “KETAMINE,” with mosh pits forming as Playboi Carti walked the stage. Midway through, he covered Tyler, The Creator’s “EARFQUAKE” in his own experimental style, bringing a touch of familiarity to the set.

A standout moment came when The Weeknd joined the rapper on stage for “Timeless,” their unexpected collaboration sparking a euphoric response from the audience. Closing with the dark and atmospheric “EVILJ0RDAN,” Playboi Carti left an indelible mark on Camp Flog Gnaw 2024.

Playboi Carti made one thing clear: He’s a “Rockstar Made.”

With the stars shining over Dodger Stadium, Camp Flog Gnaw 2024 lit up to be a testament to music’s ability to unite and inspire.

From RAYE’s heartfelt melodies to Playboi Carti’s fiery finale, the festival celebrated artistic expression in its rawest forms. As campers spilled into the night, it was clear that Camp Flog Gnaw had once again left its mark on the heart of LA.