Leanne Betasamosake Simpson paints a clear map toward decolonization with her latest book.
As part of an special speaker series, the UCLA American Indian Studies Center welcomed Simpson on Tuesday for a book talk and signing.

Brentwood is where Los Angeles goes to decompress.
The sun feels different here – dancing through the white rafters and bouncing across boutique windows at Brentwood Country Mart.

Raye’s concert was a form of escapism, allowing audience members to lose themselves in stage design, energy and vocal performance.
The Grammy Award-winning artist graced the stage of the Greek Theatre on Tuesday night, marking the penultimate stop of her North American leg of the “This Tour May Contain New Music” tour.

Eighty years is a long time to keep singing.
Since 1945, Spring Sing has been one of UCLA’s most enduring traditions, born from the kind of spirited, chest-puffing fraternity rivalry that only a campus on the cusp of World War II’s end could produce.

MUNA released an album. “So What”?
In its newest record, “Dancing On The Wall,” the synth-pop music group sounds liberated yet creatively adrift. For its fourth studio album, released May 8, the band substituted its classic romantic yearning with a sentiment far more detached: flirtation without intimacy, longing without devastation and lyrics without memorability.

From the page to the stage, Ishaan Arora is stepping into the spotlight.
Though he got his start in music playing the violin, the second-year music industry student is now a performer of many talents.

Editor’s note: This review contains mentions of suicide and self-harm and describes scenes of violence that may be disturbing to some readers.
Warning: Spoilers ahead.
“Obsession” packs a hearty bite for horror fans, but its screenplay could use more substance for viewers to sink their teeth into.