UCLA’s 2022 Oscars Predictions
By Jack Hillyer
Oscars 2022: Daily Bruin staff predicts winning lineup for 94th annual Academy Awards
By Daily Bruin Staff
Oscars 2022: Q&A: Alumnus discusses process behind visual effects in ‘Don’t Look Up’
By Paria Honardoust
Oscars 2022: ‘Bestia’ reveals monster within in examination of Chilean military dictatorship
By Ashley Kim
Oscars 2022: Score producer on ‘King Richard’ talks matching music with story
By Isabella Durgin
Oscars 2022: Alumnus’s visual effects work brings ‘Spider-Man: No Way Home’ magic to big screen
By Alexis Jones
Oscars 2022: UCLA lecturer helps guide cultural representation on ‘Raya and the Last Dragon’
By Amelie Lobo
Oscars 2022: Q&A: UCLA alumnus discusses class stratification in futuristic short film ‘Please Hold’
By Vivian Xu
Oscars 2022: Lush world of ‘Encanto’ blooms from on-screen representation
By Isabella Durgin
Film review: ‘The Tragedy of Macbeth’ bewitches audiences with striking sound, set design
By Ashley Kim
Q&A: Director Paul Thomas Anderson reflects on real-life inspiration for ‘Licorice Pizza’
By Breanna Diaz
Film review: Love isn’t a low score in Venus and Serena Williams’ ‘King Richard’
By Isabella Durgin
Q&A: Timothée Chalamet, Zendaya discuss bringing ‘Dune’ to younger audiences
By Janice Yun
Film review: ‘Shang-Chi and the Legend of the Ten Rings’ brings unique plot to the big screen
By Lily Rafat
Movie Review: ‘Free Guy’ demonstrates successful world building, fails narrative depth
By Billie Chang
Movie review: ‘Cruella’ delivers powerful acting, soundtrack despite its lack of plot originality
By Laura Carter
Movie review: ‘Raya and the Last Dragon’ fuses fantasy, friendship but with flawed culture blend
By Matthew Chu
Q&A: Kelly Marie Tran discusses Asian representation in ‘Raya and the Last Dragon’
By Matthew Chu