Suspended chairs, minimalist set design and onstage costume changes are some of the more unorthodox elements of Opera UCLA’s presentation of Verdi’s “Falstaff.”
Photo by Kimberly Lajcik
Suspended chairs, minimalist set design and onstage costume changes are some of the more unorthodox elements of Opera UCLA’s presentation of Verdi’s “Falstaff.”
Photo by Kimberly Lajcik