Did audiences fall in love at the box offices this year? For now, let’s call it “mixed feelings.”
This year’s February was an eventful one, beginning with the surprise underperformance of “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” before swinging around to a stuffed Valentine’s Day weekend.
This post was updated Feb. 13 at 1:52 p.m.
In just the first two months of 2020, film fans have plenty of upsets to discuss.
If a foreign-language film winning Best Picture for the first time ever wasn’t enough, the box office also saw its fair share of surprises with releases from the month of January.
It’s official folks.
Last week, “Joker” went wild, grossing over $900 million worldwide. That’s no laughing matter. It’s enough to make “Joker” the highest-grossing R-rated movie in history.
Throwback Thursdays are our chance to reflect on past events on or near campus and relate them to the present day. Each week, we showcase and analyze an old article from the Daily Bruin archives in an effort to chronicle the campus’ history.
In June 2016, J. D. Vance released Midwestern memoir “Hillbilly Elegy” to a country in the grip of election fever.
Vance’s nonfiction book, following his upbringing in Middletown, Ohio, was intended to shed light on the crises hitting America’s small towns: unemployment, opioid epidemics, failing institutions and limited opportunities.
Hollywood’s a company town. It might be a cliche, but in this age of record-breaking box office hauls, it couldn’t ring truer. With every film around the corner a potential franchise, the box office has become a high-stakes chess game for studios; who gets a sequel, and who gets left in the dust?
Hollywood’s a company town. It might be a cliche, but in this age of record-breaking box office hauls, it couldn’t ring truer. With every film around the corner a potential franchise, the box office has become a high-stakes chess game for studios; who gets a sequel, and who gets left in the dust?
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